The spiritual eyesight improves as the physical eyesight declines.
Plato
Once again I have fallen into the trap of not planning ahead. While I am happy with the pose and placement of this drawing I really didn't think out the color scheme like I should have. When I first made a quick sketch I was toying with the idea of doing the whole drawing in graphite and then going back and doing the scarf in red colored pencil. Now that I have highlighted her hair in white chalk I am not sure if that is such a good idea. Her coat is going to be a deep black but, then again, maybe a deep purple if I do the scarf red. There are no rules in art but sometimes I wish there were!
Friday, October 2, 2015
Tuesday, September 29, 2015
Solitude
To dare to live alone is the rarest courage; since there are many who had rather meet their bitterest enemy in the field, than their own hearts in their closet.
Charles Caleb Colton
I started this painting at least five years ago. Hours and hours went into painting those rocks until I couldn't look at them any more. Into the corner this one went to join other unfinished projects. It stares at me forlornly every time I walk into my studio. Finally this past week I stuck it up on my easel and did a little work on the sky and added the mountain on the left. It seems like such a lonely place. I believe it is called Peg's Cove. I know I copied it from a photograph of a painting from some magazine. Of course, the photograph is somewhere but after three moves in five years I can't put my finger on it. Anyway, my idea is not to copy any more but to use it as a base painting for ideas and techniques I have picked up since I first started it. So off we go! It looks like such a lonely place so for now I am calling it Solitude. Maybe I'll put a few people in the boat and a dog by the house. Maybe.
Charles Caleb Colton
I started this painting at least five years ago. Hours and hours went into painting those rocks until I couldn't look at them any more. Into the corner this one went to join other unfinished projects. It stares at me forlornly every time I walk into my studio. Finally this past week I stuck it up on my easel and did a little work on the sky and added the mountain on the left. It seems like such a lonely place. I believe it is called Peg's Cove. I know I copied it from a photograph of a painting from some magazine. Of course, the photograph is somewhere but after three moves in five years I can't put my finger on it. Anyway, my idea is not to copy any more but to use it as a base painting for ideas and techniques I have picked up since I first started it. So off we go! It looks like such a lonely place so for now I am calling it Solitude. Maybe I'll put a few people in the boat and a dog by the house. Maybe.
Friday, September 25, 2015
As the births of living creatures at first are ill-shapen, so are all innovations, which are the births of time.
Francis Bacon
Since my last post was about death I thought I would post today about birth. The above is the birth of a new drawing I have started of an old woman deep in contemplation. I lightly penciled in a rough sketch placing a few prominent points off which to measure the entire drawing. Now that she is placed on the paper where I would like her to be I have started shading in her scarf and hair and am slowly working my way down. Using both graphite and charcoal pencils and working on the larger shapes first I will probably work my way down this drawing four or five times. By the time I have finished she and I will be great friends!
Francis Bacon
Since my last post was about death I thought I would post today about birth. The above is the birth of a new drawing I have started of an old woman deep in contemplation. I lightly penciled in a rough sketch placing a few prominent points off which to measure the entire drawing. Now that she is placed on the paper where I would like her to be I have started shading in her scarf and hair and am slowly working my way down. Using both graphite and charcoal pencils and working on the larger shapes first I will probably work my way down this drawing four or five times. By the time I have finished she and I will be great friends!
Tuesday, September 22, 2015
There is no such thing as death,
In nature, nothing dies:
From each sad moment of decay
Some forms of life arise.
Charles MacKay
Once again this poor pot sat in the corner of my studio for weeks. Something was wrong (well, actually, more than one thing but more about that later.) The idea was to depict the last bit of a large flower arrangement left to die in a huge pot. I was so intent on using some radiant white that would stand out against the darker edge of the pot that I kept going over and over the flowers working on getting a dynamic contrast. Of course, dying flowers are not vibrant ~ not vivid ~ not bursting with energy. They are limp, sad, and most of all, dreary. I have toned these down quite a bit but they still need more work. How does one paint sadness and decay??? And once that distressing feeling is visible in the flowers how will they still maintain their proper place as the focal point? Should have thought this through way before I put the first dab of paint on this canvas. Composition, color mixing, technique, on and on ~ so much to learn!
Wednesday, February 25, 2015
It is through color changes that we go forward...all decisions come about as the picture is made and in response to painterly demands. The descriptive and anecdotal come second.
Wolf Kahn
This painting has been sitting in the corner of my studio for quite a while now. I made the tablecloth green thinking it would give the whole painting a warm, exotic feel. I hated it. That's why it sat in the corner for so long. Every once in a while I would rework the pot. Then I would put it back in the corner and consider giving up painting. Then the other day in a reckless mood I succumbed to the idea of change. I painted over the green making the tablecloth a traditional white. I blued down the flowers a bit and realized once again the power color has on what we find appealing and what we find jarring. There are still a few touches this one needs but it won't sit in the corner any more.
Wolf Kahn
This painting has been sitting in the corner of my studio for quite a while now. I made the tablecloth green thinking it would give the whole painting a warm, exotic feel. I hated it. That's why it sat in the corner for so long. Every once in a while I would rework the pot. Then I would put it back in the corner and consider giving up painting. Then the other day in a reckless mood I succumbed to the idea of change. I painted over the green making the tablecloth a traditional white. I blued down the flowers a bit and realized once again the power color has on what we find appealing and what we find jarring. There are still a few touches this one needs but it won't sit in the corner any more.
Monday, February 9, 2015
Final Boot Drawing
All art is based on observation, and this, in its time, must be disciplined to be of any value. Vague recollections are of no value to the artist. Know what you are looking for and why, and then record it. Then look again, for what you missed.
Van Waldron
Well, I will never look at a pair of old shoes the same way! The more I worked on these the more I realized how much character they had. There is something very meditative about concentrating on something for a long time and really seeing it. This drawing took about 7 hours to complete from start to finish. There were lots of small details and quite a bit of value changes to deal with. A great exercise in observing!
Wednesday, February 4, 2015
Boots Update
Talent without discipline is like an octopus on roller skates. There's plenty of movement, but you never know if it's going to be forward, backwards, or sideways.
H. Jackson Brown, Jr.
Well, the boot drawing above is really taking shape. I have about 6 hours into this and think maybe one more session will finish it off. It is so easy for me to put things aside and start something new ~ so many pictures to draw and paintings to paint! However, at this point it is important to finish each piece in order to practice the fine points of value. Now it is time to really look at these boots in the photograph and really see all the different gradations from lightest light to darkest dark. Sharp eyes and sharp pencils!
H. Jackson Brown, Jr.
Well, the boot drawing above is really taking shape. I have about 6 hours into this and think maybe one more session will finish it off. It is so easy for me to put things aside and start something new ~ so many pictures to draw and paintings to paint! However, at this point it is important to finish each piece in order to practice the fine points of value. Now it is time to really look at these boots in the photograph and really see all the different gradations from lightest light to darkest dark. Sharp eyes and sharp pencils!
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